#Ik modo bass songs license#
Jimi Hendrix™ name used under license of Authentic Hendrix, LLC. AMPEG® is a registered trademark of LOUD Technologies, Inc. FENDER™, STRATOCASTER™ and the distinctive headstock designs displayed here, and all FENDER amplifiers, logos, and trade dress are the trademarks of FMIC and used herein under license. Use of these names does not imply any cooperation or endorsement. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. All other product names and images, trademarks and artists names are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Everything blends very well with the old parts, even if I leave those as live bass parts.AmpliTube®, AmpliTube® Live™, AmpliTube® Metal™, AmpliTube® X-GEAR™, SVX™, StompIO™, StealthPedal™, StealthPlug™, SpeedTrainer™, DSM™, VRM™, are trademarks or registered trademarks property of IK Multimedia Production Srl. I have added bridges to some songs, and it was easier/quicker to do those directly via MODO Bass. There's no single answer to the workflow question, but that's great, because it means that MODO Bass works well for any workflow. I'm actually at that point now BTW so will be tracking live bass real soon. Some synth bass parts went to bass guitar, and those were MIDI keyboard-entered parts that went straight to MODO Bass.Īs some tempi changed, as well as keys, and as low frequencies don't even handle a half step or a half beat tempo change very well - even with great tools like Melodyne - I pushed those live bass parts to MODO Bass until I have finished tweaking every detail of the song. So when I took the project back to be a solo album, I also started rethinking all of the songs and decided to move away from the original synth-pop bias. It's just that the album I'm putting the most focus on at the moment, is one from 8-10 years ago that I put on hold out of consideration for my bandleader, who has been inactive for that long now due to kids. To be frank, some of these songs could get away with MODO Bass in the final mix, but being a bassist, I can't live with that. I can then wait for just one final pass on "real bass". I've done a lot of tempo changes and key changes, as well as switches in the arrangement, on an album I'm working on, so MODO Bass saves me a lot of time as I can use it effectively after my initial "real bass" part becomes invalid. Granted, I use Melodyne to convert my real playing to MIDI, but even so, it's remarkable how realistic MODO Bass sounds in its phrasing and note-to-note connectivity. In fact, I sometimes think it's me playing, when I'm listening to a mix, and then remember that's a song I still need to lay down the final bass part for. I saw someone else mention this issue recently as well.Įven so, I get better results out of it than anything else in my collection. My only complaint is that it doesn't handle repeated notes as well as I'd hoped, even if I tweak the MIDI for more variation and edit note lengths extensively.
I posted my own presets in another forum. Works as a 64-bit plug-in or standalone instrument for Mac/PCįull MIDI control with MIDI learn, keyswitchesĬould have sworn I posted after its release maybe there was an additional topic. Models the entire act of playing an electric bass player, instrument, FX & ampĬhoose playing style pluck, slap and pickįreely move the playing hand for realistic performanceĬustomize string force, fingers used, pick thickness & techniqueĬustomize string number, scale, tuning, gauge, construction, action, ageĢ0 faithfully recreated, interchangeable iconic bass pickups with volumeĬhoose active or passive electronics with parametric EQħ bass stomp box effects configurable in 4-slot chainĢ iconic bass amps Solid State and Tube derived from AmpliTube Recreate virtually every electric bass sound imaginableġ2 iconic bass models that span the history of recorded electric bass Groundbreaking real-time modal synthesis technology no samples used to create sound The first physically modeled electric bass virtual instrument Pr-order price is $150 ($50 under launch price). No doubt a lot of work went into modeling the instruments, amps, fx.
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